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		<id>https://hfunderground.com/wiki/index.php?feed=atom&amp;target=Linkz&amp;title=Special%3AContributions%2FLinkz</id>
		<title>HFUnderground - User contributions [en]</title>
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		<updated>2026-10-22T01:19:34Z</updated>
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	<entry>
		<id>https://hfunderground.com/wiki/index.php/Numbers_stations_in_popular_culture</id>
		<title>Numbers stations in popular culture</title>
		<link rel="alternate" type="text/html" href="https://hfunderground.com/wiki/index.php/Numbers_stations_in_popular_culture"/>
				<updated>2025-08-04T19:27:58Z</updated>
		
		<summary type="html">&lt;p&gt;Linkz: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Pop music==&lt;br /&gt;
[[Image:LadySpy.png|right|120px]]&lt;br /&gt;
&lt;br /&gt;
* Two songs, '''Even Less''' from the band ''Porcupine Tree'' and '''A Half Built House''' from the band ''We Were Promised Jetpacks'' feature a number station broadcast prominently. &lt;br /&gt;
&lt;br /&gt;
* '''No Station''' by ''65daysofstatic'' is an extensive remix of the [[Lincolnshire Poacher]] station. &lt;br /&gt;
&lt;br /&gt;
* ''The Submarines'' song '''Submarine Symphonika''' and the ''Stereolab'' song '''Pause''' both use the [[Swedish Rhapsody]] (G2) numbers station.&lt;br /&gt;
&lt;br /&gt;
* American band ''Wilco'''s record '''Yankee Hotel Foxtrot''' (2001) was named after a series of letters in the phonetic alphabet that singer/songwriter front-man Jeff Tweedy had heard on the Irdial box set [[The Conet Project]]: Recordings of Shortwave Numbers Stations. On the fourth track of the album, &amp;quot;Phonetic Alphabet - Nato&amp;quot; a woman repeats the words &amp;quot;Yankee Hotel Foxtrot&amp;quot; numerous times; a clip from this track was placed in the Yankee Hotel Foxtrot song '''Poor Places'''. Irdial sued Wilco for copyright infringement, and a settlement was reached out of court.&lt;br /&gt;
&lt;br /&gt;
* Scottish electronic duo ''Boards of Canada'''s track '''Gyroscope''' from Geogaddi contains samples of a numbers station sampled by Sean Booth of Autechre, as confirmed by a representative of Hexagon Sun on the WATMM forum.&lt;br /&gt;
&lt;br /&gt;
* ''Astrix'', a DJ and psytrance music producer used a recording sample from [[The Conet Project]] named '''English Lady 00000 Ending''' (disk 1 - track 15) at the end of his track '''Sahara'''.&lt;br /&gt;
&lt;br /&gt;
==Cinema and TV==&lt;br /&gt;
[[Image:Seventeen moments of spring.jpg|right|150px]]&lt;br /&gt;
*In an episode of the USA Network series '''Covert Affairs''', a child genius deciphers the numbers being transmitted from a station, and goes to the CIA for help.  The episode contained the [[Lincolnshire Poacher]] as the fictional station's interval signal.&lt;br /&gt;
&lt;br /&gt;
* The Soviet TV miniseries '''Seventeen Moments of Spring''' (1973) features the protagonist spy Stirlitz receiving orders through numbers broadcasts and decoding the messages using a book.&lt;br /&gt;
&lt;br /&gt;
* The television show '''Lost''' features a storyline in which the character Hugo &amp;quot;Hurley&amp;quot; Reyes wins the lottery.  The numbers he used (4 8 15 16 23 42) came from a fellow patient at the mental hospital in which Reyes had previously been admitted.  That patient had been stationed at a military listening outpost many years earlier.  He heard the numbers from a radio transmission (albeit a long-wave transmission, not shortwave) which was repeating the numbers on a loop. The transmission came from the island itself.&lt;br /&gt;
&lt;br /&gt;
* The BBC show '''Spooks''' has Russia's Federal Security Service transmitting a secret broadcast through a numbers station to a [[sleeper agent]] who targets Grosvenor Square in London, which is home of the US embassy.&amp;lt;sup&amp;gt;(1)&amp;lt;/sup&amp;gt;&lt;br /&gt;
&lt;br /&gt;
* In the film '''Vanilla Sky''', Cameron Crowe used samples of recordings from [[The Conet Project]] in certain scenes of the film. He said he used the station recordings to create a sense of confusion.&lt;br /&gt;
&lt;br /&gt;
[[Image:Fringe 6955 kHz.jpg|right|200px]]&lt;br /&gt;
* In episode S03E06 of '''Fringe''' entitled &amp;quot;6995 kHz,&amp;quot; a mysterious transmission from an unknown numbers station causes a group of enthusiasts to immediately develop retrograde amnesia. The number station used in the start is a remake of the famous Swedish Rhapsody. Hidden in the transmission is a pulse frequency that causes the amnesia. This is part of the overarching storyline. The series of numbers broadcasted are coded as well giving the coordinates of pieces of a large machine called the Vacuum. &lt;br /&gt;
&lt;br /&gt;
* In the TV series '''Fringe''' the use of number stations were mentioned in an episode on season 3, with the numbers being cracked by one of the Fringe team discovering that the numbers were made by a race of people that were alive before the dinosaurs and had been a lost civilization. The numbers were coordinates to locations on the earth where strange technology was found.&lt;br /&gt;
&lt;br /&gt;
==Video games==&lt;br /&gt;
[[Image:Call of Duty - Black Ops.jpg|right|200px]]&lt;br /&gt;
* In the video game '''Call of Duty: Black Ops''', the campaign storyline features numbers stations as part of the plot.&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
# BBC (2008) Spooks. Series 7 Episode 8.&lt;br /&gt;
&lt;br /&gt;
==See also==&lt;br /&gt;
* [[Spy Numbers Stations]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
{{CC-BY-SA-WP|Numbers_station}}&lt;br /&gt;
&lt;br /&gt;
[[Category:Spy stations]]&lt;/div&gt;</summary>
		<author><name>Linkz</name></author>	</entry>

	<entry>
		<id>https://hfunderground.com/wiki/index.php/Signal_Identification</id>
		<title>Signal Identification</title>
		<link rel="alternate" type="text/html" href="https://hfunderground.com/wiki/index.php/Signal_Identification"/>
				<updated>2023-01-29T08:58:06Z</updated>
		
		<summary type="html">&lt;p&gt;Linkz: /* Non Communications Modes */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;'''Still under construction, call this a late Beta version, almost ready for prime time'''&lt;br /&gt;
&lt;br /&gt;
See also: [[Emission_Designator|emission designators page]]&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
== Why is this Guide here? ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
The goal of this Wiki is to help people ID sounds and signals they might come across on the radio, primarily in the HF (3000 to 30000 kHz) and MW (300 to 3000 kHz) bands.  Of course not all possible signals can be identified, and certainly they cannot all be presented here.  So the IDs will start with the most common modes and move forward from those.  As signals to be IDed are presented and hopefully identified on the [http://www.hfunderground.com/board/index.php/board,27.0.html HFUnderground HF Mystery Signals] board they will be added to these lists, assuming they were not already here.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
With the advent and proliferation of SDRs to the hobby of shortwave listening, and the often associated wideband waterfall / spectrum displays, hobbyist are now more likely to notice short duration, transient, signals.  Signals are now visually presented that in the past would not have been noticed at all unless the listener just happened to be tuned to the right random frequency when the short duration signal occurred.  This has had the affect of raising the probability of reception of any given signal type, regardless of duration.  Further, these waterfalls and spectrum images can be used to help ID specific modes of operation, as different techniques often have very different visual signatures.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Today's online receiver nodes (from services like [http://www.globaltuners.com/ Globaltuners], [http://sdrspace.com/ SDR-Radio.com], and [http://websdr.org/ WebSDR.org]) mean that more people than ever potentially have access to monitor the HF spectrum.  Often people with no prior exposure to HF radio or shortwave listening first gravitate to these kinds of services, as they take no investment in equipment to start using.  They then face a sometimes steep learning curve of &amp;quot;what am I hearing, and what are these things on the radio&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
In general the use of analogue voice and manual communications modes on the HF and MW bands is on the decline, replaced with digital and data modes.  The use of other than communications modes, such as ionospheric sounders and HF radars, seems to be at an all-time high.  For the new listener, or for more experienced listeners without the proper tools, identifying some of these modes and signals can be a challenge.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== How to submit a signal for ID? ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Go to the [http://www.hfunderground.com/board/index.php/board,27.0.html HFUnderground HF Mystery Signals] board and follow the guidelines presented there for posting.  Assuming the signal is IDed there, and it is not already on the list here, it will likely be added to this list.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== How to use this Identification Guide? ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
If you look at the tables of the guide you will see it is divided into three types of signals, &amp;quot;Non DATA Signals&amp;quot;, &amp;quot;DATA Signals&amp;quot;, and &amp;quot;Unidentified Signals&amp;quot;.  Each section can be further broken down into sub categories.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''Non DATA Signals:'''&lt;br /&gt;
&lt;br /&gt;
Non DATA Signals are modes that do not carry what is traditionally thought of as digital data.  This will be analogue voice modes, traditional Morse Code transmissions, and signals along those basic lines.  Radars and Ionosondes have also been included in this segment, as they are not typically DATA transmissions.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''DATA Signals:'''&lt;br /&gt;
&lt;br /&gt;
DATA Signals are pretty much everything else.  If it goes through a modem or is computer generated before being transmitted to the open air it will probably be included in the DATA Signals section.  This includes digital voice modes, including many encrypted modes.  The DATA Signals section is loosely broken down into the type of modulation used for the data, FSK, MFSK, PSK, etc.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Various image modes, such as HFFAX, SSTV, etc, are included in the DATA Signals, even when they are not digital in nature.  Despite many of these types having analogue backgrounds most are generated by computer today.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''Unidentified Signals:'''&lt;br /&gt;
&lt;br /&gt;
Unidentified Signals are signals that have not yet been identified.  As they are reported or added they will be assigned an &amp;quot;HFU UNID&amp;quot; sequential 3 digit number.  This number means nothing, and is just a way to track information and discussions about that signal on the [http://www.hfunderground.com/board/index.php/board,27.0.html HFUnderground HF Mystery Signals] board.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
These UNID signals may appear in more than one segment of the guide, they will be in the Unidentified Signals segment, but may also be shown under their modulation types.  For example, an Unknown signal that is obviously an FSK signal may be in both the Unidentified Signals area, and the FSK area, but in both cases they will carry the same UNID number.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Basic information shown for all Entries==&lt;br /&gt;
&lt;br /&gt;
=== Mode ===&lt;br /&gt;
&amp;quot;Mode&amp;quot; is simply a generally accepted name of the technique.  This may not be the only designator used for that specific technique.  For example, traditional &amp;quot;AM&amp;quot; can also be described as &amp;quot;Double sideband with full carrier&amp;quot;, and &amp;quot;A3E&amp;quot;.  In such a case these other designations may be included on the Mode Specific page.  If a Mode Specific page exist for a mode you can access it by clicking on the name in the Mode column.  The Mode Specific page will generally contain more detailed information than can be included in this initial chart.&lt;br /&gt;
&lt;br /&gt;
=== Frequency Range (kHz) ===&lt;br /&gt;
&amp;quot;Frequency Range (kHz)&amp;quot; is the range of frequencies where one might find this specific mode in use.  For many modes this can be a very wide range, but other modes might be very limited in range.  Remember this guide is MW and HF specific and may not consider usage in other frequency ranges.&lt;br /&gt;
&lt;br /&gt;
=== Bandwidth (kHz) ===&lt;br /&gt;
&amp;quot;Bandwidth (kHz)&amp;quot; is the normally occupied bandwidth of the signal, as might be seen on a waterfall or spectrum display.  Unless you include the power point for the measurement (3 dB, 6 dB, 10 dB, 20 dB, etc) this is an approximate value only.  Because of this very strong signals can appear wider than very weak signals, even if both signals are actually using the same bandwidth.  The goal here is to provide something that might help identification, not to define a technical specification for the mode. &lt;br /&gt;
&lt;br /&gt;
=== Shift (kHz) ===&lt;br /&gt;
&amp;quot;Shift (kHz)&amp;quot; is something that only applies to certain types of DATA or digital transmissions.  It will be used to define the spacing for visually definable tones or data channels in a transmission.&lt;br /&gt;
&lt;br /&gt;
=== Number of Tones ===&lt;br /&gt;
&amp;quot;Number of Tones&amp;quot; is applicable to certain types of DATA or digital transmissions.  It will be used to indicate the number of visually definable tones or data channels in a transmission. &lt;br /&gt;
&lt;br /&gt;
=== Key Features ===&lt;br /&gt;
&amp;quot;Key Features&amp;quot; will be selected features that can help identify the signal, or at least narrow down the candidate pool.  Ideally it will be one or two visually distinctive features that can be seen on a waterfall or spectrum display, but these might also be auditory features.&lt;br /&gt;
&lt;br /&gt;
=== Sources ===&lt;br /&gt;
&amp;quot;Sources&amp;quot; are the most likely source for this transmission mode, if known.&lt;br /&gt;
&lt;br /&gt;
=== Recording ===&lt;br /&gt;
&amp;quot;Recording&amp;quot; will link to an audio recording of the mode.  Further recordings, both audio and video, may be present on the Mode Specific page.&lt;br /&gt;
&lt;br /&gt;
=== Spectrum Image ===&lt;br /&gt;
&amp;quot;Spectrum Image&amp;quot; is a 200 pixel wide expandable thumbnail image of the signal, often either the spectrum or a waterfall / histogram of some kind.  Typically the full size version of this images is at least 640 x 480.&lt;br /&gt;
&lt;br /&gt;
=The Signals=&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Non DATA Signals==&lt;br /&gt;
&lt;br /&gt;
===Communications Modes===&lt;br /&gt;
&lt;br /&gt;
{|  class=&amp;quot;wikitable&amp;quot; border=&amp;quot;1&amp;quot; text-align=&amp;quot;center&amp;quot; align=&amp;quot;center&amp;quot;&lt;br /&gt;
! Mode&lt;br /&gt;
!  Frequency Range (kHz)&lt;br /&gt;
! Bandwidth (kHz)&lt;br /&gt;
!  Shift (Hz)&lt;br /&gt;
! Number of Tones&lt;br /&gt;
!  Key Features&lt;br /&gt;
! Sources&lt;br /&gt;
!  Recording&lt;br /&gt;
!  Spectrum Image&lt;br /&gt;
|-&lt;br /&gt;
| [[AM]]&lt;br /&gt;
| All Frequencies in the HF Range&lt;br /&gt;
| Typically 2.6 to 10.0 kHz, can be wider or narrower&lt;br /&gt;
| Not Applicable&lt;br /&gt;
| Not Applicable&lt;br /&gt;
| Carrier present in center of signal, audio typically mirrored left and right of the carrier&lt;br /&gt;
| World wide&lt;br /&gt;
| AM recording link here&lt;br /&gt;
| [[File:AM_SWBC_7520.jpg|200px]]&lt;br /&gt;
|-&lt;br /&gt;
| [[CW]]&lt;br /&gt;
(Morse Code)&lt;br /&gt;
| All Frequencies in the HF Range&lt;br /&gt;
| Very narrow, potentially less than 50 Hz&lt;br /&gt;
| Not Applicable&lt;br /&gt;
| Not Applicable&lt;br /&gt;
| Line or broken line on the waterfall, no sidebands, may show wider &amp;quot;key clicks&amp;quot; at the start and stop of each dot and dash&lt;br /&gt;
| World wide&lt;br /&gt;
| CW recording link here&lt;br /&gt;
| [[File:CW_ham_7030.jpg|200px]]&lt;br /&gt;
|-&lt;br /&gt;
| [[LSB]]&lt;br /&gt;
| All Frequencies in the HF Range&lt;br /&gt;
| Typically 2.4 to 3.0 kHz, can be wider or narrower&lt;br /&gt;
| Not Applicable&lt;br /&gt;
| Not Applicable&lt;br /&gt;
| No carrier present in Spectrum, audio typically bunched to towards the right (low audio frequency)&lt;br /&gt;
| World wide&lt;br /&gt;
| LSB recording link here&lt;br /&gt;
| [[File:LSB_ham_7155.jpg|200px]]&lt;br /&gt;
|-&lt;br /&gt;
| [[USB]]&lt;br /&gt;
| All Frequencies in the HF Range&lt;br /&gt;
| Typically 2.4 to 3.0 kHz, can be wider or narrower&lt;br /&gt;
| Not Applicable&lt;br /&gt;
| Not Applicable&lt;br /&gt;
| No carrier present in Spectrum, audio typically bunched to towards the left (low audio frequency)&lt;br /&gt;
| World wide&lt;br /&gt;
| USB recording link here&lt;br /&gt;
| [[File:USB_ham_14185.jpg|200px]]&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===Non Communications Modes===&lt;br /&gt;
&lt;br /&gt;
{|  class=&amp;quot;wikitable&amp;quot; border=&amp;quot;1&amp;quot; text-align=&amp;quot;center&amp;quot; align=&amp;quot;center&amp;quot;&lt;br /&gt;
! Mode&lt;br /&gt;
! Frequency Range (kHz)&lt;br /&gt;
! Bandwidth (kHz)&lt;br /&gt;
! Shift (Hz)&lt;br /&gt;
! Number of Tones&lt;br /&gt;
! Key Features&lt;br /&gt;
! Sources&lt;br /&gt;
! Recording&lt;br /&gt;
! Spectrum Image&lt;br /&gt;
|-&lt;br /&gt;
| 16 x 64 Sounder (nickname, official name or designation not known)&lt;br /&gt;
| Below 4000 to above 30000 observed&lt;br /&gt;
| 2.5 kHz&lt;br /&gt;
| Not Applicable&lt;br /&gt;
| Not Applicable&lt;br /&gt;
| FMCW transmission, changes sweep rates in 16 steps, resulting in 16 different sounds per transmission, a pilot tone may precede each rate change but is not always present&lt;br /&gt;
| Jindalee Operational Radar Network (JORN)&lt;br /&gt;
| [[Media:16x64_sounder.mp3]]&lt;br /&gt;
16 x 64 sounder recording&lt;br /&gt;
| [[File:16x64_sounder.jpg|200px]]&lt;br /&gt;
|-&lt;br /&gt;
| 29B6 radar &amp;quot;Kontainer&amp;quot;&lt;br /&gt;
| 6000 to 20000&lt;br /&gt;
| 4 to 28 kHz observed, unknown limits, width depending on specific operating conditions&lt;br /&gt;
| Not Applicable&lt;br /&gt;
| Not Applicable&lt;br /&gt;
| FMOP transmission, presenting a wide signal equal to the swept (chirped) width, sweep rate creates a pulsed sound affect, easily confused with British PLUTO radar&lt;br /&gt;
| Kovylkino, Mordovia, Russia&lt;br /&gt;
| [[Media:29B6.mp3]]&lt;br /&gt;
29B6 recording, first portion wide audio, second narrow, as would be heard on many receivers&lt;br /&gt;
| [[File:29B6.jpg|200px]]&lt;br /&gt;
|-&lt;br /&gt;
| CODAR (Coastal Ocean Dynamics Applications Radar), a specialized radar used to study ocena currents and waves&lt;br /&gt;
| 4000 to 27000&lt;br /&gt;
| 16 to 240 kHz, depending on band, higher frequencies mean wider swept widths&lt;br /&gt;
| Not Applicable&lt;br /&gt;
| Not Applicable&lt;br /&gt;
| FMOP or FMICW transmission, presenting a wide signal equal to the swept (chirped) width, sweep rate can create &amp;quot;swooshing&amp;quot; sounds on radio, pulsed transmission can give the sound a rough quality&lt;br /&gt;
| World wide, hundreds of locations around the World&lt;br /&gt;
| [[Media:CODAR.mp3]]&lt;br /&gt;
CODAR recording, first 40 seconds in USB, next 40 in AM, last 40 in LSB&lt;br /&gt;
| [[File:CODAR_sweeps.jpg|200px]]&lt;br /&gt;
[[File:CODAR_pulses.jpg|200px]]&lt;br /&gt;
|-&lt;br /&gt;
| PLUTO radar (possible offical name, PLUTO II, suggested by online documents)&lt;br /&gt;
| 8000 to 38000&lt;br /&gt;
| 3 to 40 kHz, depending on specific operating conditions&lt;br /&gt;
| Not Applicable&lt;br /&gt;
| Not Applicable&lt;br /&gt;
| FMCW transmission, presenting a wide signal equal to the swept (chirped) width, sweep rate creates a pulsed sound affect, easily confused with Russian 29B6 radar&lt;br /&gt;
| British Sovereing base of Akrotiri, Island of Cyprus&lt;br /&gt;
| [[Media:PLUTO_50Hz.mp3]]&lt;br /&gt;
[[Media:PLUTO_25Hz.mp3]]&lt;br /&gt;
PLUTO recording link here&lt;br /&gt;
| [[File:PLUTO.jpg|200px]]&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
==DATA Signals==&lt;br /&gt;
&lt;br /&gt;
===FSK Modes===&lt;br /&gt;
&lt;br /&gt;
{|  class=&amp;quot;wikitable&amp;quot; border=&amp;quot;1&amp;quot; text-align=&amp;quot;center&amp;quot; align=&amp;quot;center&amp;quot;&lt;br /&gt;
! Mode&lt;br /&gt;
!  Frequency Range (kHz)&lt;br /&gt;
! Bandwidth (kHz)&lt;br /&gt;
!  Shift (Hz)&lt;br /&gt;
! Number of Tones&lt;br /&gt;
!  Key Features&lt;br /&gt;
! Sources&lt;br /&gt;
!  Recording&lt;br /&gt;
!  Spectrum Image&lt;br /&gt;
|-&lt;br /&gt;
| CIS 36-50, BEE, T-600&lt;br /&gt;
| All Frequencies in the HF Range&lt;br /&gt;
| 0.085 to 0.500 kHz (85 to 500 Hz depending on mode)&lt;br /&gt;
| 85, 125, 250, or 500, only one shift used at a time&lt;br /&gt;
| 2&lt;br /&gt;
| Appears as two lines on waterfall, seperated by the shift, normally encrypted, at idle presents 36 Bd&lt;br /&gt;
| Used primarily by Russian Navy, a mode of the T-600 modem&lt;br /&gt;
| [[Media:CIS_36_50.mp3]]&lt;br /&gt;
CIS 36-50 recording&lt;br /&gt;
| [[File:CIS_36_50.jpg|200px]]&lt;br /&gt;
|-&lt;br /&gt;
| CIS 50-50, BEE, T-600&lt;br /&gt;
| All Frequencies in the HF Range&lt;br /&gt;
| 0.200 to 0.250 kHz (200 or 250 Hz depending on mode)&lt;br /&gt;
| 200 or 250 Hz, only one shift used at a time&lt;br /&gt;
| 2&lt;br /&gt;
| Appears as two lines on waterfall, seperated by the shift, normally encrypted, at idle presents 50 Bd&lt;br /&gt;
| Used primarily by Russian Navy, a mode of the T-600 modem&lt;br /&gt;
| [[Media:CIS_50_50.mp3]]&lt;br /&gt;
CIS 50-50 recording&lt;br /&gt;
| [[File:CIS_50_50.jpg|200px]]&lt;br /&gt;
|-&lt;br /&gt;
| [[STANAG]] [[4481 FSK]]&lt;br /&gt;
| All Frequencies in the HF Range&lt;br /&gt;
| 0.85 kHz (850 Hz)&lt;br /&gt;
| 850 Hz&lt;br /&gt;
| 2&lt;br /&gt;
| Appears as two lines on waterfall, seperated by the shift, normally encrypted&lt;br /&gt;
| Used by NATO forces world wide&lt;br /&gt;
| [[Media:S4481_FSK.mp3]]&lt;br /&gt;
4481 FSK recording&lt;br /&gt;
| [[File:S4481_FSK.jpg|200px]]&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
===MFSK Modes===&lt;br /&gt;
&lt;br /&gt;
{|  class=&amp;quot;wikitable&amp;quot; border=&amp;quot;1&amp;quot; text-align=&amp;quot;center&amp;quot; align=&amp;quot;center&amp;quot;&lt;br /&gt;
! Mode&lt;br /&gt;
!  Frequency Range (kHz)&lt;br /&gt;
! Bandwidth (kHz)&lt;br /&gt;
!  Shift (Hz)&lt;br /&gt;
! Number of Tones&lt;br /&gt;
!  Key Features&lt;br /&gt;
! Sources&lt;br /&gt;
!  Recording&lt;br /&gt;
!  Spectrum Image&lt;br /&gt;
|-&lt;br /&gt;
| MIL STD 181-141A [[ALE]]&lt;br /&gt;
| All Frequencies in the HF Range&lt;br /&gt;
| 1.75 kHz (1750 Hz)&lt;br /&gt;
| 250 Hz&lt;br /&gt;
| 8&lt;br /&gt;
| Appears as eight broken lines on waterfall, seperated by the shift, normally encrypted, rhythmic sound&lt;br /&gt;
| Used world wide&lt;br /&gt;
| [[Media:ALE_SND.mp3]]&lt;br /&gt;
MIL STD 188-141A sounding recording&lt;br /&gt;
| [[File:ALE_snd.jpg|200px]]&lt;br /&gt;
|-&lt;br /&gt;
| JT-65 [[JT65]]&lt;br /&gt;
| All ham bands&lt;br /&gt;
| 0.175 kHz (175 Hz)&lt;br /&gt;
| ~2.65 Hz&lt;br /&gt;
| 65&lt;br /&gt;
| Appears as stepped lines on the waterfall, has a musical sound to it, can be confused by new listeners for a polytone numbers station like XPA&lt;br /&gt;
| Used world wide&lt;br /&gt;
| [[Media:JT65.mp3]]&lt;br /&gt;
JT65 recording&lt;br /&gt;
| [[File:JT65.jpg|200px]]&lt;br /&gt;
|-&lt;br /&gt;
&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
===PSK Modes===&lt;br /&gt;
&lt;br /&gt;
{|  class=&amp;quot;wikitable&amp;quot; border=&amp;quot;1&amp;quot; text-align=&amp;quot;center&amp;quot; align=&amp;quot;center&amp;quot;&lt;br /&gt;
! Mode&lt;br /&gt;
!  Frequency Range (kHz)&lt;br /&gt;
! Bandwidth (kHz)&lt;br /&gt;
!  Shift (Hz)&lt;br /&gt;
! Number of Tones&lt;br /&gt;
!  Key Features&lt;br /&gt;
! Sources&lt;br /&gt;
!  Recording&lt;br /&gt;
!  Spectrum Image&lt;br /&gt;
|-&lt;br /&gt;
| (Chinese) CHN 4+4&lt;br /&gt;
| All Frequencies in the HF Range&lt;br /&gt;
| 2.9 kHz&lt;br /&gt;
| 300 Hz, with 450 Hz gap&lt;br /&gt;
| 8&lt;br /&gt;
| Appears as 8 PSK tones on the waterfall, noticeable 450 Hz gap between tones 4 and 5&lt;br /&gt;
| Used by Chinese military&lt;br /&gt;
| [[Media:CHN4_4.mp3]]&lt;br /&gt;
CHN 4+4 recording&lt;br /&gt;
| [[File:CHN4_4.jpg|200px]]&lt;br /&gt;
|-&lt;br /&gt;
| CIS12, Fire, MS5, AT3004D, AT3104D&lt;br /&gt;
| All Frequencies in the HF Range&lt;br /&gt;
| 3.3 kHz&lt;br /&gt;
| 200 Hz (12 tone) or 120 Hz (20 tone)&lt;br /&gt;
| 12 or 20&lt;br /&gt;
| Appears as 12 or 20 PSK tones on the waterfall, with 3300 Hz Doppler (pilot) tone&lt;br /&gt;
| Used primarily by Russian military&lt;br /&gt;
| [[Media:CIS12.mp3]]&lt;br /&gt;
CIS12 recording&lt;br /&gt;
| [[File:CIS12.jpg|200px]]&lt;br /&gt;
|-&lt;br /&gt;
| [[PSK31]]&lt;br /&gt;
| Mostly in the ham radio bands&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|  &lt;br /&gt;
| &lt;br /&gt;
| Used world wide&lt;br /&gt;
| [[Media:psk31_recording.mp3]]&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
===SELCAL Modes===&lt;br /&gt;
&lt;br /&gt;
{|  class=&amp;quot;wikitable&amp;quot; border=&amp;quot;1&amp;quot; text-align=&amp;quot;center&amp;quot; align=&amp;quot;center&amp;quot;&lt;br /&gt;
! Mode&lt;br /&gt;
!  Frequency Range (kHz)&lt;br /&gt;
! Bandwidth (kHz)&lt;br /&gt;
!  Shift (Hz)&lt;br /&gt;
! Number of Tones&lt;br /&gt;
!  Key Features&lt;br /&gt;
! Sources&lt;br /&gt;
!  Recording&lt;br /&gt;
!  Spectrum Image&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
===Image Modes===&lt;br /&gt;
&lt;br /&gt;
{|  class=&amp;quot;wikitable&amp;quot; border=&amp;quot;1&amp;quot; text-align=&amp;quot;center&amp;quot; align=&amp;quot;center&amp;quot;&lt;br /&gt;
! Mode&lt;br /&gt;
!  Frequency Range (kHz)&lt;br /&gt;
! Bandwidth (kHz)&lt;br /&gt;
!  Shift (Hz)&lt;br /&gt;
! Number of Tones&lt;br /&gt;
!  Key Features&lt;br /&gt;
! Sources&lt;br /&gt;
!  Recording&lt;br /&gt;
!  Spectrum Image&lt;br /&gt;
|-&lt;br /&gt;
| Slow Scan TV [[SSTV]]&lt;br /&gt;
| Mostly in the ham radio bands&lt;br /&gt;
| 1100-2300 Hz&lt;br /&gt;
| &lt;br /&gt;
|  &lt;br /&gt;
| Distinctive burst of VIS code bits at the beginning, then a rhythmic sound as the scan lines of video are sent&lt;br /&gt;
| Used world wide&lt;br /&gt;
| [[Media:Robot36C.WAV]]&lt;br /&gt;
| [[File:Sstv_waterfall.png|200px]]&lt;br /&gt;
|-&lt;br /&gt;
| Weather Fascimile [[Fax]]&lt;br /&gt;
| All Frequencies in the HF Range&lt;br /&gt;
| 1500-2300 Hz&lt;br /&gt;
| &lt;br /&gt;
|  &lt;br /&gt;
| Rhythmic sound as the scan lines of video are sent twice a second&lt;br /&gt;
| Used world wide&lt;br /&gt;
| [[Media:Fax_signal.mp3]]&lt;br /&gt;
| [[File:fax_waterfall.png|200px]]&lt;br /&gt;
|-&lt;br /&gt;
| Hellschreiber [[Hellschreiber]]&lt;br /&gt;
| Mostly in the ham radio bands&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|  &lt;br /&gt;
| Scratchy sound as the pixels of each character are sent&lt;br /&gt;
| Used world wide&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Unidentified Signals==&lt;br /&gt;
&lt;br /&gt;
{|  class=&amp;quot;wikitable&amp;quot; border=&amp;quot;1&amp;quot; text-align=&amp;quot;center&amp;quot; align=&amp;quot;center&amp;quot;&lt;br /&gt;
! Mode&lt;br /&gt;
!  Frequency Range (kHz)&lt;br /&gt;
! Bandwidth (kHz)&lt;br /&gt;
!  Shift (Hz)&lt;br /&gt;
! Number of Tones&lt;br /&gt;
!  Key Features&lt;br /&gt;
! Sources&lt;br /&gt;
!  Recording&lt;br /&gt;
!  Spectrum Image&lt;br /&gt;
|-&lt;br /&gt;
| HFU UNID001&lt;br /&gt;
Sweepers&lt;br /&gt;
| All Frequencies in the HF Range, but primarily noticed above 10000 kHz&lt;br /&gt;
| Sub 2 kHz to over 200 kHz&lt;br /&gt;
| Not Applicable&lt;br /&gt;
| Not Applicable&lt;br /&gt;
| Various shapes, but typically presents as a sweeping, unstable, signal on a waterfall&lt;br /&gt;
| Unknown, a strong theory is these are related to industrial processes, possibly RF Welding&lt;br /&gt;
| [[Media:UNID001_Sweepers.mp3]]&lt;br /&gt;
Sweeper recording, multple examples&lt;br /&gt;
| [[File:UNID001_Sweepers.jpg|200px]]&lt;br /&gt;
|-&lt;br /&gt;
| HFU UNID002&lt;br /&gt;
Pips&lt;br /&gt;
| All Frequencies in the HF Range&lt;br /&gt;
| Typically very narrow, as CW, but occasionally with light 3 kHz modulation&lt;br /&gt;
| Not Applicable&lt;br /&gt;
| Not Applicable&lt;br /&gt;
| Appears as a periodic dit or dash on a waterfall with fixed spacing between Pips, typical lengths are 0.063 to 1.5 sec, spacing has ranged from 3.0 to 27 seconds&lt;br /&gt;
| Unknown&lt;br /&gt;
| [[Media:UNID002_Pips.mp3]]&lt;br /&gt;
Pips recording, multiple examples&lt;br /&gt;
| [[File:UNID002_Pips.jpg|200px]]&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category: Transmission modes]]&lt;/div&gt;</summary>
		<author><name>Linkz</name></author>	</entry>

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